News Summary

• The Row sidelined austere minimalism for something more bohemian, slightly oddball even.
• Tom Ford's sweater-speedo combos, half-shaven heads, and frayed pant hems with boxer shorts and ties all helped bridge the brand's vampy, sultry archetype with Haider Ackermann's more experimental vision.
• Celine embodied the superlative of its Michael Rider self in convo with its Phoebe Philo past, without appearing repetitive or like some corny, cash-grabby homage.