News Summary

• An army of over two dozen craftspeople, led by production designer Liam Moore, worked for a month on a gargantuan undertaking that bridged the worlds of practical effects, stop-motion puppetry and miniature art.
• “It’s these visceral experiences, where I was seeing things that I couldn’t believe were real, and I had to understand how they were made, who was making them, and if I could do the same,” he says.